If you are interested in blogging or want to promote your book, please contact E. B. Davis at firstname.lastname@example.org
Our September Author Interviews--9/6 Kathleen Valenti, 9/13 David Burnsworth, 9/20 Jeri Westerson, 9/27 Frances Brody. Please join us in welcoming these authors to WWK.
September Saturday Guest Bloggers: 9/2--Anne Bannon, 9/9 WWK Bloggers, 9/16 Margaret S. Hamilton, 9/23 Kait Carson, and on 9/30 Trixie Stiletto.
“May 16, 2017 – The Women’s Fiction Writers Association (WFWA) today announced the finalists of the second annual Star Award, given to authors of published women’s fiction. Six finalists were chosen in two categories, General and Outstanding Debut. The winners of the Star Award will be announced at the WFWA Retreat in Albuquerque, New Mexico on September 23, 2017.” In the general category, WWK’s Carla Damron was one of three finalist for her novel, The Stone Necklace. Go to Carladamron.com for more information. Congratulations, Carla!
Congratulations to our writers for the following publications:
Warren Bull's new Lincoln mystery, Abraham Lincoln In Court & Campaign has been released. Look for the Kindle version on February 3.
Shari Randall's "Pets" will be included in Chesapeake Crimes: Fur, Feathers, and Felonies anthology, which will be published in 2018. In the same anthology "Rasputin," KM Rockwood's short story, will also be published. Her short story "Goldie" will be published in the Busted anthology, which will be released by Level Best Books on April 25th.
In addition, our prolific KM will have the following shorts published as well: "Sight Unseen" in Fish Out of Water, Guppie (SinC) anthology, just released, and "Making Tracks" in Passport to Murder, Bouchercon anthology, October 2017.
Margaret S. Hamilton's short story, "Once a Kappa" was published as a finalist in the Southern Writer's Magazine annual short story contest issue. Mysterical-E published her "Double Crust Corpse" in the Fall 2016 issue. "Baby Killer" will appear in the 2017 solar eclipse anthology Day of the Dark to be published this summer prior to the eclipse in August.
Tuesday, July 20, 2010
What Makes a Book Good?
We are enjoying the company of our grandchildren. Each summer they visit us for a week or so without their parents. Lola, who will be nine about the time school starts, and I were talking about books. She’s a reader, and I abet her by giving her lots of books for Christmas. She started our conversation on this topic by exclaiming, “This is such a good book. It’s only the second chapter and already something really bad has happened.”
Mrs. Zarroli who Ramona talked about on Friday to learn from, so hers is an unadulterated experience. I asked Lola a bunch of questions and here’s what she said.
What’s a good beginning? I like bad things to happen at the beginning, even if I don’t understand them. And a good book has to have a mystery.
What makes interesting characters? The people in the book have to take risks. They have to be sneaky and stuff like that. In this book they had to break into the principal’s office. They take on a lot of stuff that we do not. If something goes wrong then something really bad is going to happen to them.
There is a pair of sisters that are so unalike. One is grouchy and the other is very nice. One likes fairy tales and the other doesn’t. Sometimes one is nice and sometimes the other isn’t. But they have to do stuff together. A good character in my opinion is brave and smart; they can trust people; they can take a lot of risk. If they’re funny that’s good too.
And I don’t like it when (for example) Sabrina magically pulled out of her pants pocket a whistle called the wind and blew away the problem.
What makes a good book’s ending? Usually it ends well, but sometimes the best books don’t end well and that can be good too.
There you have it from an eight-year old. We don’t need to graduate from high school, be an English Lit major in college or earn an MFA degree. Kids know good stories when they hear or read one: You need a good early hook and there has to be a mystery. You need interesting characters; they can’t be all alike and there has to be conflict. The characters need to be larger than life and take risks—risks that we wouldn’t normally take.
The plot has to make sense. Deus ex machina is a big no-no, and the ending can be either a good thing or a bad thing as long as it’s satisfying.
What’s so hard about that?