Showing posts with label Margaret S. Hamilton. Show all posts
Showing posts with label Margaret S. Hamilton. Show all posts

Tuesday, August 30, 2022

What We're Reading Now? Beach Reads! By WWK Writers

The Hollywood Spy by Susan Elia MacNeal

Review by Margaret S. Hamilton

Susan MacNeal sends her intrepid series heroine, MI-Five agent Maggie Hope, on a personal mission to Los Angeles in 1943. Maggie is British, raised in the United States, and a newcomer to Hollywood. In addition to solving the murder of a young woman, Maggie comes up against the Zoot Suit Riots, Nazi supporters, and the Ku Klux Klan. MacNeal’s solid research is evident in her portrayal of Maggie’s visits to Los Angeles landmarks, including a Hollywood studio. Many famous personalities have walk-on roles in the book, including Linus Pauling, who teaches in the Chemistry Department at Caltech, and George Balanchine, who choreographs a ballet for a movie. An enjoyable read!

 

Seams Like Murder by Dorothy Howell

Review by E. B. Davis

Seams Like Murder is the first book in the Sewing Studio mystery series. It will be released next month. I had no expectations of the book, but the writing was good and the main character was interesting. Abby Chandler visits her aunt Sarah in small town Hideaway Grove because she hasn’t much to go back to in L.A. After a fight with her boss, being put on leave, and finding out her roommate took the cash without paying the landlord, Abby needs peace. Of course, that’s the last thing she gets when a woman is hit and killed by a driver who doesn’t stop in the alley behind her aunt’s shop—Sarah’s Sweets. 

Murder? No one wants to think so, but although Abby didn’t see the accident, she did hear it—and she thinks it’s murder. She gets pulled into volunteering for the town’s Harvest Festival, which gives Abby the opportunity to sleuth. A deputy sheriff provides the point—counterpoint and a bit of romance. A fun read for the beach!

 

Under a Veiled Moon by Karen Odden

Review by Susan Van Kirk

Under a Veiled Moon is the continuation of a series starring Michael Corravan, Irish Scotland Yard inspector. It will launch on October 11 from Crooked Lane Books. With many parallels to the present day, Karen thoughtfully plots the continuing story of Michael Corravan, whose early history includes his adoption by the Doyle family in White Chapel.

Corravan is placed in the middle of a terrible dilemma when a tragedy based on London's history challenges his Irish roots. He finds himself in the middle of prejudice against the Irish, and the government and media's push to blame the Irish Republican Brotherhood (IRB) for the tragedy. The Princess Alice, a pleasure boat that sailed the Thames River each day, is hit by the Bywell Castle, an iron-hulled collier, resulting in the deaths of 130 out of 600 people. Odden does a masterful job of describing the chaos and attempts to save or recover those passengers.

Who is responsible? The media, as well as the Home Office, wants to blame this on the IRB, a group that could be connected to a recent train bombing. Irish Home Rule is on the table in negotiations at the time, and this could be yet another attempt to push Parliament toward letting Ireland go.

Karen Odden skillfully weaves history, mystery, Victorian society, and politics to create an intriguing story that has connections to the world we inhabit today. I had to read every last word and reluctantly close the book. Loved this story.

 

Out of the Picture
by Margaret Welch (aka WWK’s own Molly MacRae)

Review by Grace Topping

 

In the first book of her Museum of Mysteries series, Margaret/Molly writes about Scarlett McCormick, the head curator of a museum of art and archaeology in coastal California. Her description of the museum and its staff makes me wish the museum was an actual place so I could visit it. Margaret/Molly takes something as simple as Scarlett having an idea for an art exhibit and finding a recent photograph of a supposed dead local artist and weaves them into an intriguing mystery. Although the death in this book takes place well in the past, Margaret/Molly infused the story with plenty of suspense and a surprise ending.

 

 I See You by Clare Mackintosh                                                                                                    

Review by Marilyn Levinson

 

Zoe Walker takes the London tube to and from work. She is disturbed to discover a photo of herself in the personal ads. She wonders if this has any connection to the attack on a young woman whose photo appeared earlier than hers. Who is taking photos of women and why? As Zoe and the female detective on the case start to get closer to the mastermind behind this nefarious group, Zoe begins to suspect many of the males in her life, including her significant
other who has kept a large secret from her. Gripping to the end, there's even an additional surprise that's sure to satisfy readers of suspense.

 

 



Friday, November 27, 2020

THEY SHOOT PUMPKINS, DON’T THEY? By Margaret S. Hamilton

“Here’s our exit,” Lizzie said. Her husband, Nick, turned off the interstate and merged on a state route in the middle of Ohio cornfields. Glancing at the map on her phone, Lizzie noticed she had lost her cell signal. “Two miles on this road until we reach Glenda’s driveway.”

 

Their teens, Claire and Phillip, pulled off their earphones and stared at the barren corn stubble landscape. “Not even a gas station or convenience store,” Claire said. “Tell me again why we’re celebrating Thanksgiving in the middle of nowhere.”

 

“Glenda’s mother is critically ill, and Glenda knows this is Granny’s last Thanksgiving at the family farm,” Lizzie said. “People handle grief differently. If she wants to invite her daughter’s soccer team for Thanksgiving dinner, I’ll accommodate her request, including making pumpkin pies from Granny’s sugar pumpkins.”

 

“It’s not like Caitlyn’s on the team,” Claire said. “She’s second-string goalie for the tournament this weekend.”

 

“Please be kind,” Lizzie said. “I’ve put my time in during practice listening to Glenda, who told me Caitlyn was thrilled to be a guest player. Your team is desperate for a backup goalie, so the team mothers were especially welcoming. Several families will attend today’s gathering.”

 

“Mom, we read the email Glenda sent. Have you ever eaten deep-fried turkey?” Claire asked.

 

“Life is full of culinary adventures, except for my pies.” Lizzie positioned her feet next to the baskets containing her apple and pumpkin pies.

 

“Glenda’s menu included frog eye salad,” Phillip said. “Something witches eat?”

 

“Jell-O salad with maraschino cherries and whipped topping, a fifties staple at every Thanksgiving table,” Lizzie said. “I had to Google it.”


A loud boom rocked the van, followed by a big orange ball hurtling through the air. Nick acceleratedwhile the kids watched a pumpkin burst to smithereens when it landed in the road behind them.

 

“Flying pumpkins?” Claire asked. “It almost hit us.”

 

“Punkin chunkin,” Lizzie said. “Shooting pumpkins with catapults or pneumatic cannons. Glenda gave me an earful one evening. It’s a popular activity at this time of year.”

 

“Think they’re shooting at us?” Phillip asked. Another boom rattled the windows as Lizzie’s phone app announced their destination.

 

Nick swerved on the rutted gravel driveway and approached a ramshackle nineteenth-century farmhouse. Set next to a windbreak of spruce trees, the house had broken windows, shutters hanging by a nail, and a sagging roof. Lizzie wondered whether Granny or the house would die first.

 

 After Nick parked near the barn, Lizzie climbed out of the van with her pie baskets. Glenda, clad in her usual flannel shirt and jeans, placed the lids on her turkey fryers before she checked Lizzie’s pies. Opening the baskets, she carefully inspected the baked goods. “Your apple pies look fine. I like the egg wash and sugar sprinkled on the top crust.” Glenda sniffed one of the pumpkin pies. “Did you use Granny’s sugar pumpkins and recipe?”

 

“Yes, I did.” Lizzie hid a smile. “I added a surprise ingredient to the pumpkin filling. I’m sure you’ll recognize it.”

 

After Lizzie’s pies had passed muster with Glenda, she put them on a long table in the barn and offered to assist with the turkey frying.

 

 “Turns out I don’t need or want your help,” Glenda said. “Caitlyn’s shooting pumpkins down the road. She should be home soon.”

 

Lizzie asked if they could pay their respects to Granny before the other soccer families arrived.

Glenda grunted a response. “Suit yourself. She’s in the bedroom at the front of the house.”

 

Lizzie joined Nick and the kids. “We’ve got some time to kill. Let’s say hello to Granny before we explore the farm.”

 

They climbed the rotting wooden steps to the back door, and entered a kitchen last updated in the sixties with copper-toned appliances and butterscotch plaid linoleum. While Lizzie led her family down the hall toward the front door, another boom rattled the windows. “Still at it chucking pumpkins,” Lizzie said. “Poor Granny. I’m sure she doesn’t appreciate the noise.”

 

Lizzie gingerly tested each step on the staircase, clinging to a wall of peeling wallpaper to avoid the sagging bannisters. The floor above them creaked, and a shadow flitted across the hall.

 

“Mom, what’s that?” Claire asked, clutching Lizzie’s jacket.

 

“Probably a bird flew through one of the broken windows.” Lizzie could see her breath as she exhaled, the second floor noticeably colder than the first. After she stepped into the upstairs hall, she pulled on her gloves and zipped up her jacket. “This way.” She pointed down the hall.

 

Lizzie pushed open the bedroom door at the front of the house. The double-sash windows hung wide open, the dingy tieback curtains flapping in the breeze. Granny, propped on pillows in the four-poster bed, wore a ragged bed jacket trimmed with pink ribbons, her teeth in a plastic cup next to her eyeglasses on the nightstand.

 

Nick pulled the windows closed as Lizzie approached the bed. “Hello, Granny, happy Thanksgiving.”

 

Granny lay still, her eyes half-open and her toothless mouth agape. Nick covered his hand with a tissue before he took Granny’s carotid pulse and checked her pupils. Pulling Lizzie away from the bed, he said, “She’s gone, maybe no more than an hour. Petechiae in her eyes indicates asphyxia.”

 

Lizzie swallowed a sob. “Not on Thanksgiving Day. Poor Glenda.”

 

Nick pulled back the covers tucked tightly around Granny’s body and discovered the ring finger on her left hand missing. He clicked on his cell phone flashlight and checked the blood-free stump, tendons and bones visible. “Severed post-mortem. I have a bad feeling about Granny’s demise.”

 

Dizzy and short of breath, Lizzie stepped back and considered the situation, wondering why Granny’s digit had been removed. Probably not to open a fingerprint-activated computer or cell phone. The obvious answer was a ring, perhaps her engagement ring. She checked her cell phone. No bars.

 

She motioned Nick into the hallway, where the kids waited. Lizzie put her arms around them and murmured, “Granny’s dead, maybe in the last hour. We need to tell Glenda and find a place with cell reception to call for help.”

 

Claire and Phillip nodded, wide-eyed. “Poor Caitlyn,” Claire said. “It’s tough to lose a grandma.”

 

Nick tapped Lizzie’s shoulder. “Can we leave you here with Granny? I’ll tell Glenda, who might want a few minutes with her mother.”

 

“Or not, if Glenda smothered Granny and cut off her finger,” Lizzie said. “Anybody seen Caitlyn?”

 

As another boom rocked the house, plaster dust cascaded from the hall ceiling. “On second thought, I’ll wait downstairs.” Lizzie ushered her family ahead of her, stopping at the head of the stairs. Floorboards creaked nearby. “Hold up, everybody. I’m going to check the other rooms.”

 

Lizzie stepped into each bedroom, kneeling to look under the beds before she investigated the built-in wardrobes. Holding her breath, she yanked the bathroom shower curtain aside. She exhaled down to her toes, the rust-stained tub empty.

 

Nick joined her when she opened the door to the attic. “Think someone’s up here?”

 

Lizzie nodded and mounted the attic stairs, testing each tread before she put her weight on it. Sensing someone lying in wait for her at the top, she crooked her arm over her face, holding her cell phone flashlight high. Nick’s hand on her shoulder and steady breathing gave her a sense of security. They reached the attic, filled with broken windows, empty bird nests, and a large paper wasp nest. “Ugh, don’t bang into the wasp nest,” Lizzie said.

 

Caitlyn sat in an antique rocking chair with a cane seat and back, her team jacket zipped to her chin. She embraced a large sugar pumpkin and set the chair in motion.

 

Lizzie approached her. “Hello, Caitlyn. I’m sorry about Granny. Did you find her?”

 

Caitlyn chewed on the end of her braid and nodded, humming to herself.

 

“Does Glenda know?”

 

Caitlyn shook her head.

 

Lizzie held out her hand. “Please come with me. We should tell Glenda.”

 

Ignoring her, Caitlyn cradled the pumpkin and continued to rock.

 

Lizzie, exasperated, snapped at her. “Caitlyn, now. We need to phone the county sheriff and EMS.” She picked up the pumpkin and handed it to Nick, then pulled Caitlyn out of the chair. “Do you have a landline?”

 

Caitlyn shook her head.


 

“Does Glenda have a sat phone?”

 

“What’s that?” Caitlyn gazed at her, alert, with bright eyes.

 

“Never mind. Let’s find Glenda and give her the sad news.”

 

Lizzie put her hand under Caitlyn’s arm and escorted her outside to find Glenda, still huddled over the turkey fryers in front of the barn.

 

Caitlyn took her pumpkin from Nick and wandered away.

 

“Glenda, we have sad news,” Lizzie said. “Granny passed not long ago. Could I help with the turkeys while you say good-bye?”

 

“No need. It’s a relief Granny’s gone.” Glenda pulled out a cell phone. “I’ll call the funeral home for a pickup.”

 

“Does your cell phone work out here?” Lizzie asked.

 

“I use the only service that gets reception.”

 

“Granny’s death is suspicious,” Nick said. “We’ll need to call the county sheriff.”

 

“Forget it. I don’t need the sheriff poking around my house.”

 

“Glenda, it’s the law,” Nick said.

 

“Says who?” Glenda stood, hands on broad hips. “I don’t care for your tone.”

 

“I’m a physician. I suspect Granny’s death was not due to natural causes.”

 

“Get off my property. You had no right to touch Granny. You must have killed her yourself.”

 

“Glenda, I did no such thing,” Nick said. “Granny’s death was probably due to asphyxiation, after she was smothered with something like a pillow and before someone severed her left ring finger.”

 

“What?” Glenda’s face flushed crimson. “The ring’s gone?” She dropped her cooking fork. “Where’s Caitlyn?”

 

“She went to shoot some more pumpkins,” Claire said, “Including the one she carried outside.”

 

“She didn’t,” Glenda roared, pulling car keys out of her jacket pocket.

 

“Didn’t do what?” Lizzie asked.

 

“That child wields a mean hacksaw,” Glenda said. “If Granny lost a finger, Granny also lost the art deco diamond ring on her finger. We tried everything to get the ring off and nothing worked.”

 

“Baby oil usually does the trick,” Lizzie said.

 

 Glenda snorted. “You’d be the one to know.”

 

“You’d better hurry,” Claire said. “If the finger and ring are in the pumpkin, she’s about to shoot it sky high.”

 

“And watch it shatter when it hits the ground,” Phillip said.

 

Nick held his hand. “Give me your cell phone. It’s time to call the sheriff.”

 

Glenda lifted the lid on the turkey fryer and started to slip the cell phone inside.

 

“Oh, no, you don’t.” Lizzie grabbed Glenda’s hand and forced her to drop the phone.

 

With another boom, the launcher in a nearby field hurled another pumpkin, which exploded mid-air.

 

“Not Granny’s ring!” Glenda shrieked. Lizzie tackled her, and Glenda dropped to the ground.

 

“What about poor Granny’s life?” Enraged, Lizzie sat on Glenda’s back, tempted to punch her. “Got her phone?” She asked Nick.

 

Nick tapped 9-1-1 and requested immediate assistance from the sheriff’s department. After clicking off the phone, he pulled a tissue-wrapped object out of his pocket. “I checked Caitlyn’s pumpkin before I returned it to her.” Nick unwrapped the tissue, revealing a thin, white finger wearing a large art deco ring studded with many small diamonds glittering in the fading sunlight.

 

Lizzie continued to sit on Glenda. “Nick, did you spot a hacksaw upstairs?”

 

“On the attic floor near the rocking chair,” Nick said. “I’ll tell the sheriff.”

 

“Here comes Caitlyn,” Claire said. “Should we grab her?”

 

“Caitlyn’s shot her last pumpkin,” Lizzie said. “She knows it’s over.”

 

As sirens sounded across the empty fields, a line of soccer team vans drove up the driveway. Caitlyn slumped to the ground next to her mother.

 

THE END

 


Wednesday, June 5, 2019

An Interview with Three Daphne Du Maurier Contest Finalists by E. B. Davis


The Daphne Du Maurier Award contest in Mystery/Suspense is held every year by the Kiss of Death chapter of the Romance Writers of America. I suspect because of the overlap between romance and mystery genres, many Sisters in Crime members enter the contest. It is divided between published and unpublished novels. After that division, the novels must be entered into one of six subcategories by those submitting, which can be tricky. The categories are:

·       Series romantic mystery/suspense
·       Single-title romantic mystery/suspense
·       Historical (predating WWII) romantic mystery/suspense
·       Inspirational romantic mystery/suspense
·       Paranormal romantic mystery/suspense
·       Mainstream mystery/suspense

The first two categories listed must have romance as the main genre with elements of mystery/suspense. The next three categories, Historical, Inspirational, and Paranormal must have those elements be a dominant factor in the manuscript submitted. The last category doesn’t have to have any elements of romance. But one wonders if the contest is sponsored by the RWA chapter, will having no elements of romance be detrimental in winning. 

In the SinC Guppy chapter there are three finalists this year. I wanted to ask those authors the same six questions. The three authors are Joyce Woollcott, Amy Drayer, and WWK’s own Margaret S. Hamilton.

Please welcome these authors to WWK.                                                                            _        __E. B. Davis

Are you competing in the Published or Unpublished category?

Joyce: The Unpublished. (Sounds like a great title for a mystery). A Nice Place to Die

 Amy: Unpublished. Murder Comes to Makah

Margaret: Unpublished. Curtains for the Corpse

How did you place your novel within the six categories? Was it hard to do? Does your novel have romantic elements?

Joyce: They were fairly clear in the notes, and as I never thought of myself as a romance writer, I just naturally chose Mainstream Mystery/Suspense. Strangely though, romance, love and jealousy are major themes in the book, but the core of it is a mystery. Who murdered Kate?

Amy: My novel is competing in the mainstream category. It doesn’t contain any elements associated with the romance genre, though it does contain some significant character development associated with interpersonal relationships. But placement within the categories wasn’t particularly difficult in this instance and the guidelines the Daphne laid out were clear and instructive.

Margaret: Mainstream Mystery. I read the guidelines several times. My traditional mystery does have a romantic element—my amateur sleuth and her lover, both widowed, are co-parents in a cobbled-together family to two teenagers, but it’s a crime-based plot.

Did you have to pay to enter the contest?

Joyce: Yes, I paid $30. Members of RWA pay $15.

Amy: Yes – I believe it was $30.

Margaret: The Kiss of Death fee is $30 for non-RWA members, and includes four critiques. The bottom score is dropped from the cumulative score.

If you enter the contest, are you also required to judge? If you are, is it within a different category? Are all the judges contestants?

Joyce: No, I wasn’t required to judge, although they are looking for qualified people all the time. I don’t see myself as qualified to judge at this point. Unpublished and still learning, I’m just beginning the journey. You may need to be a member of RWA though. I don’t believe all the judges are contestants. On the second round for finalists, the judges are working editors and agents.

Amy: There was no judging requirement associated with the contest.

Margaret: I’ve entered several times, but this is the first year I was asked to judge. I picked published mainstream mysteries as my category because I don’t know how to evaluate the romance genre. In the end, I wasn’t assigned a book or books to judge. I have no idea who the judges are, but it’s obvious all my critiques were done by experienced writers.

What are the benefits of winning the contest?

Joyce: Well, it’s something to put on your query letter, if you can ever get a query letter written. And also, it gives you a jolt of confidence. This is the second manuscript I’ve ever written and like a lot of new writers, there’s a lot of self-doubt. In January I was long listed in the Arthur Ellis Awards for my first unpublished novel. At the time I was very thrilled and excited, but imagined it was a fluke, a one-time thing. It did however, give me the courage to enter the Daphnes. To be recognized again for the second one is wonderful. But still, you wonder… I think lack of confidence is part of who we are. It’s not about the prize money, that’s for sure.
But then creative writing seldom is about the money, is it?

Amy: Murder Comes to Makah is my debut work - I’m currently querying the novel, so the biggest advantage right now is being able to include the fact that it was selected as a finalist in my outgoing pitches. As well it’s a great advantage as a finalist to be able to move your query and your opening pages out of the slush pile and directly in front of an agent and editor who are relevant to your genre.

Margaret: Brand name recognition (designation as Daphne Finalist in query letter) and professional validation of the book: well-structured plot, believable character arcs, dramatic tension, dialogue, lucid prose, and a strong narrative voice. If I attend the NYC event in July, contact with the other finalists, editors, and agents associated with the contest.

Has the feedback you’ve received been beneficial?

Joyce: I haven’t received feedback yet. I think finalists have to wait until the end. They do take the feedback portion seriously though. I’ve read the question sheet and it’s fairly comprehensive. Certainly worth $15 or $30 if you can manage it. Everyone who enters gets honest feedback and that’s really helpful. Getting the comments from an established editor and agent is something I’m really looking forward to.

Amy: As I understand it we won’t receive feedback on the submissions until late July, after the awards are announced.

Margaret: The critiques have been very valuable. A year ago, I used them as the basis for my developmental edit. My editor agreed with the Daphne judges that my protagonist was a mess and so was the plot. 

The score sheets are detailed, but I learn the most from the editorial comments on the sheets as well as in the text. Finalists will not receive their score sheets until after the awards are announced. We submitted our final twenty-five pages and two-page synopsis without having the benefit of the judges’ critiques. 

Added bonus: Submission formatting mandates a header on the left including subgenre and page number on the right. It used to take me hours to accomplish this feat.

Saturday, March 18, 2017

Kurt Dinan, Cincinnati-Hamilton County Library Writer-in-Residence by Margaret S. Hamilton

Cincinnati is one of the lucky few public library systems with a writer-in-residence program. Kurt Dinan, a member of the Mason HS faculty, will conduct writers’ workshops, speak at community events, host a podcast, and write a blog during his residency year.

I stumbled across a notice for Dinan’s monthly writers’ seminars, held at the Main Library in downtown Cincinnati. Intrigued by the topic of his most recent talk, “Plotters v. Pantsers,” I left my husband in the genealogy stacks and joined seventy-five other writers in the Tower Room.

Dinan has taught HS English and creative writing for twenty-two years. He published many horror short stories before his 2016 debut YA novel, Don’t Get Caught. During his talk, he gave a broad overview of the many virtues of plotting (he’s a self-professed “nuts and bolts” guy), including the hero’s journey and the Save the Cat! sheet. He discussed how to establish voice on the first page: after a great first line, something interesting happens that sets the stage for the rest of the novel.

I write my first drafts “by the seat of my pants,” before using organizational tools like scene lists on subsequent drafts. After Dinan questioned my ability to sustain coherent momentum for a 5,000-word short story or first draft of a novel, I explained that I write until I stall out, leave the draft simmering on the back burner for a week, and then return to complete it, before several rounds of revisions.

“Write what you know and be who you are. Find a process that works for you. Set a word count and finish the book.” All useful advice from an author who accomplishes his daily output from 3:30 to 5:00 a.m.

I enjoyed Don’t Get Caught. Dinan lives and breathes the high school environment, both as a teacher and father of four. He writes from the point of view of Maxwell Cobb, a clueless junior with a 2.5 GPA. Max and four classmates are sucked into a mission to take down the Chaos Club, a prankster organization at the high school.

Initially I resisted Max’s narrative voice as too mature for a sixteen-year-old:
“Rule #1 in any quality heist film is Don’t get caught. So I’m quiet as I slip out my bedroom window, cross the roof in the cool darkness, and drop from the garage onto the wet grass. Overhead, my parents’ lights may be off for the night, but this is a terrible idea any way you look at it. It’s stupid, irresponsible, and borderline suicidal. But I’m going anyway.” (p.1)

I soon became immersed in Max’s world as he battles Vice-Principal Stranko. Max grows and changes—he learns to trust the members of the Water Tower Five—and he rejects several opportunities to ditch the group and go straight. Dinan likes a fast-paced narrative. The last third of his book is a wild roller-coaster ride, full of the group’s ingenious ploys to foil the school administration.

Dinan ends Don’t Get Caught with Max identifying the instigator of the effort to take down the Chaos Club. Max is determined to match wits with this classmate during their upcoming senior year.

I look forward to reading the sequel, and attending Dinan’s upcoming seminars.

Readers and writers, does your library system have a writer-in-residence or writing workshops?

Saturday, October 15, 2016




Afternoons in New Orleans

Margaret S. Hamilton


Don’t you just love those long rainy afternoons in New Orleans when an hour isn’t just an hour—but a little piece of eternity dropped into your hands—and who knows what to do with it?

Tennessee Williams, A Streetcar Named Desire


I found this quote painted on the wall in the entrance to Gallier House, a restored nineteenth century home on Royal Street in the French Quarter. My circumstances and mindset were different from those of Blanche Dubois—I spent a month in New Orleans caring for my daughter after her knee surgery—but Blanche’s words resonated with me.


I spent long afternoons sitting next to a wheezing window air conditioner during my daughter’s recovery. Bells from the schoolyard across the street and nearby St. Anthony of Padua Church marked the slow hours. Streetcars rumbled by on Canal Street, bound for the end of the line at three cemeteries. I wrote a short story, and outlined another. Binge-reading Ann Cleeves’s Shetland mysteries, I vicariously experienced life on an isolated group of islands with a cold and foggy climate.


To avoid the heat and thunderstorms, I took a daily early morning hour-long walk in City Park. I photographed the intense southern sun filtered by Spanish moss hanging from venerable live oak trees and dodged tour groups in the Sculpture Garden. Stalking egrets, heron, and ibis on the shore of the lake, I stole some quick snapshots.



In New Orleans, it’s customary to say hello to everyone you encounter, even Percy the black Juliana pig, clopping on dainty hooves down the sidewalk, drooling in anticipation of a powdered sugar donut hole at the Blue Dot donut bakery. Most dogs are some mix of pit bull, all friendly. The homeless people gathered at the local gas station helped me heave dripping bags of ice from the outside freezer. Sales associates in the local stores called me “Sugar,” “Hon,” or “Baby.”



Time goes slowly. Afternoons are endless. We were in the middle of two of the four New Orleans seasons—hurricane and football, with the other seasons, Mardi Gras and crawfish, not till spring. I embraced the heat, the mounds of gulf shrimp at the grocery store, the last of the crepe myrtle blooms scattering petals on the sidewalks. And some rainy Ohio afternoon, I’ll write about it.





Readers, what do you do on a rainy afternoon?