Showing posts with label Making a Literary Life. Show all posts
Showing posts with label Making a Literary Life. Show all posts

Saturday, August 27, 2022

Finding Time to Write by Kait Carson

I have a daily routine. Do you? Mine is super simple. Vacuum up the stray kitty litter around the house, do my daily affirmations, meditate, update my gratitude journal, then write my aspirational diary entry – complete with photos. I like to look back on the year in pictures. Then it’s time to write, catch up on Facebook and Instagram, and check emails. Every so often Microsoft updates intrude on my best laid plans. I admit, I dread them. One of the recent ones, though, gave me a gift – curated news stories. I manage to sneak in some reading time daily before I move on to other stuff. There’s always something interesting.

 

Today’s must read was an Inc. interview with Richard Branson. I’ve long admired the man – a true adventurer who isn’t afraid to follow his dreams. He’s had an amazing life, marred by little controversy for someone with his very public persona. His Wikipedia page is longer than some books I’ve written. It’s filled with successes and gives honest nods to his failures and heartbreaks. And yes, he’s had more than a few. 

 

Reading his life story makes me feel tired, and like an underachiever. How does he do it? Even at his income level, he’s only got 24-hours in a day, right? My biggest struggle is finding time enough in a day to do everything I have to, much less everything I want to. In truth, finding time to write, even now when it’s my only job, is not easy. The day fills with this and that and interruptions and before I know it, the word count is in three figures, creativity has waned and my energy meter is pegged at zero.

 

Okay, back to the interview. The secret to Branson’s success is do what’s fun and time will expand to accommodate your needs. Fun. Pundits from Confucius to Mark Twain have advocated finding a job you love and you’ll never work a day in your life. There’s merit in the concept, but not everyone has the luxury.

 

I was fortunate to find the interview in the middle of a long day. I’d closed my writing program after 184 (count ‘em) words and was ready to sign off. Needless to say, I felt defeated. I love this story, and its characters, yet it wasn’t flowing. I knew my beginning, middle, and end and had lots of twists and turns planned, but the actual writing was hard. The last time this happened, I needed to change my point of view from third to first. This time I needed to change my point of view. I’d forgotten the joy of bringing a story to the page, the fun of creativity. Instead of weaving a gorgeous pattern of words, I was making widgets!

 

I can’t wait to get back to my stalled-out story after I finish this blog. Gotta go, words are waiting, Thank you, Sir Richard.

Monday, April 3, 2017

Visualizing Success as a Writer

by Linda Rodriguez

One of the best books on actually living a writer’s life is Making a Literary Life by Carolyn See. I often give it as a gift to serious aspiring writers I know. Carolyn is herself an award-winning novelist, and her advice is pretty solid. (I have come to feel as if she is my friend from reading her novels and this book again and again, but though I’m on first-name basis with her here, I never actually met Carolyn See while she was alive.)

First, she tells us to write 1,000 words a day every day. Blam! Just like that! Right at the beginning! But she says they don’t have to be finished words—they don’t even have to be good words. We just have to put down 1,000 words every day. And of course, it works—because no one will be able to keep slapping random words on the page. We start to make sense, and then we start to make story. So, her rule number one is write 1,000 words each and every day.

Carolyn’s next rule will prompt groans from everyone. She talks about the need to build a writing community and to get involved in the writing community that already exists. So she wants us all to write a charming note each day to a different writer or editor or agent or reading series administrator, expressing our genuine appreciation for something they’ve done or written. I suspect this will be the biggest stumbling block among her rules for living the writing life, even though I’ve come to see the sense of it. (I must admit I don’t follow this rule very often, though, being no better than any of the rest of us.)

The rules continue throughout this informal and witty book, and they are all good rules. When I abide by them, I am in better shape than when I don’t. This I know. However, it’s another part of the book that I want to talk about here.

Carolyn makes a great case for visualizing the career and life we want to live as writers. She talks about well-known writers who have entourages, chauffeurs, phalanxes of attractive bodyguards, or dramatic capes and trench coats. She makes a persuasive case that each of these successful writers had at some time in the past decided, consciously or unconsciously, that when they were successful they would have—entourages/ chauffeurs/ bodyguards/ trench coats.

Carolyn encourages us to consciously visualize the successful writer’s life we want to have in the future in detail, including what we’ll wear, if that’s important to us, what friends we’ll have, where we’ll live, and more. That kind of visualization is important, I think. If we don’t put some thought into what we want, how will we know when we’ve achieved it? She encourages us to go into detail because some of the details are easier to achieve than others. It’s very tough to make the New York Times bestseller list, but it’s not so hard to save up for a splashy cape or dramatic trench coat.

So my question to all of you today, as well as to myself, is what would your life look like if you achieved the kind of writer’s success that you long to have?

I’m not into splashy capes or trench coats or matched pairs of bodyguards, but I think a chauffeur might be a nice achievement, especially on regular professional visits to New York City (which are very much a part of my visualization). Actually, I think I’ve already achieved this.

On my last trip to NYC to meet with my editor and attend a poetry award ceremony, I found a livery car service that took us all over the city at all hours and for less than a cab would have cost. After the post-award-ceremony bash, native New Yorkers in our party were futilely trying to gain the attention of cabs outside the restaurant while one phone call brought our driver to pick us up in front and take us across town to our B&B.

What would you visualize for your life as a successful writer? Inquiring minds want to know!