I love museums. They are everywhere, endlessly fascinating,
and full of cool things, including writing ideas.
Take Morris Hirshfield Rediscovered, an exhibit
currently on view at the American Folk Art Museum in New York. Hirshfield was a
self-taught artist who only started painting after retiring at 65 from a career
in the garment industry. He won acclaim from the influential gallerist Peggy
Guggenheim and her Surrealist artist husband and friends. The founding director
of the Museum of Modern Art even gave him a solo show.
Critical reception was harsh, however, one reviewer dismissing Hirshfield as “the master of two left feet,” a slam against what he saw as an amateurish inability to correctly represent the human form. The museum director was fired, and Hirshfield lapsed back into obscurity.
I found the whole story fascinating and, in many ways, analogous to the mystery-writing world. Some authors get their start later in life after leaving other careers. Some writers are championed while others are ignored. Some have all-too-brief moments of fame. And despite the best efforts at promotion, some works just never catch on.
Hirshfield’s tale also opens up a world of crime story ideas. What happens to the artist who fails to achieve the heights she thinks she’s been promised? What about the artist who isn’t plucked from obscurity, what might that resentment drive her to do? What revenge will the museum director take for the loss of his job? My latest published story, The Grift of the Magi, in Hook, Line, and Sinker: The Seventh Guppy Anthology, is about a divorcing couple’s battle over a valuable painting. Now I’m thinking I may have more art stories to tell.
Not all museums focus on art, of course. On the same trip, I learned more about Jewish delicatessens at the New York Historical Society. The exhibition explored immigration, culture, and (of course) food. Food plays an outsize role in many cozy mysteries, and some actually use delis as a setting. Maybe I’ll be the next author to slip in a killing between the pastrami and the rye, with a side of cole slaw and revenge. There could be a stolen recipe, a food service inspector on the take, or a long-time waitress with a brand-new secret. There is a full menu of plotlines to choose from.
Mystery came to
mind again at a Poster House exhibit on World War II anti-spying propaganda.
Agatha Christie’s 1941 novel N or M deals with the exact fears of
British fifth columnists and Nazi infiltrators that the posters warned against,
underscoring yet again how mystery novels reflect the world around them. The
lines between fiction and reality blurred even further in that case when the
British security service, MI-5, investigated Christie because she named one of
the novel’s characters Major Bletchley. The spies were worried that she had
knowledge of their then-secret code-breaking facility at Bletchley Park
(another great museum to visit, by the way).
Speaking of Christie, my next trip is to Egypt. I’m looking forward to mystery ideas ancient and new. How about you? Has a museum ever inspired you?
