Showing posts with label #Scotland. Show all posts
Showing posts with label #Scotland. Show all posts

Thursday, May 25, 2023

The Siren Song of Research by Connie Berry


I love research way too much. When I’m writing a book, I have to watch myself carefully because if left to follow my inclination, I’d waste precious time researching everything from the weather to popular colors in Edwardian England to the makeup used by women in ancient Rome. Most of it never makes it into the book because it’s irrelevant—a bad practice when you’re on a deadline. Research has to be strategic. 

Nevertheless, the siren song of research still tempts me toward the rocks because you never know what you might find, right? Like picking through a garage sale or flea market, the prospect of finding something truly valuable keeps me scrolling. Usually, however, the fascinating titbits I find have little or nothing to do with my book. I just love information.

Today I thought I’d share with you one of the fascinating but useless bits of research I uncovered during the writing of my first book, A Dream of Death, set on a fictional island in the Scottish Hebrides. This research may have been useful in another place and another time (another book), but it had nothing to do with my actual setting or plot. It involved Stirling Castle. 

Of all Scotland's castles, Stirling Castle wins the prize for the most eccentric resident. Sometime around the year 1500, John Damien, a penniless adventurer of either Italian or French origin, arrived at Stirling Castle, claiming to be an alchemist on the verge of discovering the key to turning base metals into gold.

Fortunately for Damien, King James IV—arguably the most successful of the Stuart monarchs—was keenly interested in the new "scientific" discoveries of the Renaissance. He was even more interested in possessing an inexhaustible source of gold to fund his frequent military campaigns. And wealth wasn't the only blessing John Damien promised. Not only would he produce the most sought-after object of the day, the Philosopher's Stone—that mythical and magical substance needed to transform lead into gold—but he also offered the king an even more precious prize because the Philosopher's Stone, when mixed with wine, was said to produce the Elixir of Life, curing all illnesses and granting the drinker eternal life and eternal youth.

Not bad, right?

With these tantalizing possibilities in mind, King James IV provided John Damien with a hidden laboratory in the castle, along with such luxuries as damask fabric for his clothing, tapestries, a fine bed, plenty of "aqua vitae" (whiskey), and all the equipment—flasks, cauldrons, glass beakers, and ingredients—he would need to conduct his experiments.

When years passed by and no gold was produced (surprise, surprise), court gossips began to accuse Damian of fraud. Sensing that a spectacular demonstration of his powers was called for, Damien announced he had discovered the secret of mechanical flight and would fly under his own power from the castle to France. On September 27, 1507, he strapped on a pair of bird-like wings and leapt off the towering ramparts of Stirling Castle. He dropped like a stone. Lucky for him, he landed (so the story goes) on a soft dung heap, breaking only a thigh bone. Damien blamed the failure on the fact that hen feathers had been mixed in with the eagle feathers he called for—and as we all know, hens can't fly.

In spite of this, King James IV, a remarkably tolerant sovereign, continued to fund Damien’s research until the king's death at the Battle of Flodden in 1513. Hope springs eternal.

What piece of useless but fascinating research have you uncovered in the writing of a book? Here’s my real question: how do you discipline yourself so you don’t waste time searching for the straw that will become gold in your plot? I need to know.

Thursday, February 24, 2022

Up The Cairngorms by Connie berry


Who remembers the British TV comedy Are You Being Served?

 In one of the delightfully silly episodes, Mrs. Slocombe, head of the Ladies' Department at Grace Brothers Department Store, holds up a pair of wooly undergarments, perfect when you're traveling "up the Cairngorms."

 For those who don't know, the Cairngorms are a mountain range in the eastern Highlands of Scotland.


A Cairngorm is also a semi-precious stone mined in the Cairngorm Mountains, varying in color from honey yellow to clove brown. Silver brooches with Cairngorms and other semi-precious stones became hugely popular during the reign of Queen Victoria. The diminutive queen loved spending time at Balmoral, her Scottish castle; and with her patronage, interest in all things Scottish exploded.


Since my debut mystery, A Dream of Death, takes place in Scotland, and since my protagonist, Kate Hamilton, is an antiques dealer, I thought I'd share my personal collection of Cairngorm brooches. I think they are beautiful, and they remind me of my own Scottish heritage.



This brooch was manufactured in the late nineteenth century. The Cairngorm, incorporated into a thistle, a symbol of Scotland, is a dark honey color. The stones around it are carnelian and deep green agate, set into a chased sterling frame.

           








This one is a classic shield shape with a large central Cairngorm and finely worked slices of agate and carnelian in various colors.

           







This Cairngorm brooch is one of my favorites, also Victorian with a light gold Cairngorm and agates in gray and white. Three are missing. I'm thinking about getting them replaced if I can find someone to do it.

            






This brooch was made by the Ward Brothers in Edinburgh, sometime in the 1950s, specifically for the tourist trade. The metal is sterling, but the "Cairngorms," set into a thistle, are glass. I still love it!

           




This large leaf brooch isn't strictly a Cairngorm, but it is the prize of my collection. The marks on the back tell me it was manufactured in December of 1864. I love how it looks when paired with a couple of the other Cairngorms on a jacket.









Finally, this Cairngorm and silver brooch isn't mine. It's part of the Royal Collection. Prince Albert purchased it for Queen Victoria  in 1847/48. Queen Elizabeth wore it to the opening of the Scottish Parliament in 1999.



If you see a Cairngorm brooch in an antique store, I hope you appreciate it. And if you're ever in Scotland, don't forget to go "up the Cairngorms!"

What do you collect? We'd love to see a photo!