I was invited to
Zoom-in to a book club a couple of years ago. They’d read one of my books that month and
wanted to meet the author. One question surprised me and made me think. In the
book they’d read, I’d set up some red herrings that pointed for a time to a
likeable character as the killer. A member of the book club said, “I really
thought (s)he might be guilty. I was so upset I almost stopped reading.”
Fortunately, she
didn’t stop reading. But the question made me think about bad guys in crime
fiction. How bad should they be? Is it a mistake to make them too bad or too likeable?
The first thing to
say is, if there is a correct answer to this question, I don’t have it. What I
do have are a few thoughts.
New authors are
frequently told to create fully rounded characters. Our protagonists aren’t
perfect. They have faults, flaws, fears, and failings like all people—or should
have. These human imperfections make them characters readers can identify with.
Faults can deepen the backstory, ramp up tension, create opportunities for
change and growth, and create interest.
But how about our
bad guys? Nobody (or almost nobody) is completely bad without any redeeming
qualities whatsoever. Well, maybe there are such people (Hitler comes to mind),
but they are so unique that they become literal icons of evil. With the
possible exception of some international thrillers, few mysteries feature bad
guys that awful.
So, do we humanize the
killer? Does he save a litter of
abandoned kittens or send a portion of his ill-gotten gains to a charity for
the homeless? How much is too much? How can you make your bad guy human and yet
deserving of his fate?
Knowing there are
always exceptions to the rule, here are my thoughts:
1. Bad guys are
usually self-deceived.
Very few people believe
they are horrible human beings. They think they have good reasons for doing
what they’re doing—getting revenge, for example, or making up for what they see
as life’s unfairness. They got a raw deal. They deserve more than life has
given them. One way to humanize a bad guy is to show his actions, however evil,
as understandable and acceptable to himself: “I have good reasons for doing
what I’m doing.”
2. Bad guys can actually
have good reasons for doing bad things.
I just watched an
episode of a crime drama on TV in which the killer did what she did to protect
someone she loved. Maybe someone is holding her child hostage or he’s a victim
of blackmail. If his secret is made public, innocent people would be harmed.
Yes, he must be stopped, but his downfall leads to the real bad guys
behind the scenes.
3. Bad guys might
be the victims of circumstances.
In real life,
people can start down a wrong path in life because of events not in their
control—inherent deficits, an evil environment, the bad choices of others,
adverse conditions, poverty. But you don’t want your bad guy to be a complete
victim. In that case, bringing him to justice won’t feel like a satisfying
resolution. If your bad guy is the victim of circumstances, give him at least
one moment when he is forced to make a choice: “Do I continue down this path,
or do I stop right now and choose another path?” Most readers of crime fiction
like an ending with order restored and justice prevailing.
4. Bad guys can be
mentally off-kilter.
This one can easily
be overdone. Creating a scenario where insanity is the only motivation for evil
is a cop-out. Even if your bad guy is mentally ill, he should have believable reasons
for his actions, and his illness should be understandable and realistic. An
interesting resource for mental disorders and phobias is the DSM Guide (Diagnostic
& Statistical Manual for Mental Disorders), found in most libraries.
You can also consult online websites such as www.psychiatryonline.org. If
you’re going to use a mental disorder, at least make it interesting and
believable.
5. Bad guys can
sometimes be redeemed.
There’s always
hope, right? If your bad guy has a really pathetic backstory or is the victim
of circumstances, readers will agree he must be punished, but they will also
accept and applaud his redemption at the end—even if it comes too late to save
him.
Those are my
thoughts on the characters we love to hate.
What are your
thoughts?
Can a bad guy be
too bad to be believable?
My first instinct is that a bad guy can never be too bad to be believable - in the hands of a good writer. If all dimensions aren't shown, then the case is that the bad guy fails to feel human and is unbelievable.
ReplyDeleteOther than "I didn't mean to do it, it just happened" my bad men and women can justify their actions to themselves (law of supply and demand, revenge, I'm entitled to it).
ReplyDelete