If you are interested in blogging or want to promote your book, please contact E. B. Davis at email@example.com
Our September Author Interviews--9/6 Kathleen Valenti, 9/13 David Burnsworth, 9/20 Jeri Westerson, 9/27 Frances Brody. Please join us in welcoming these authors to WWK.
September Saturday Guest Bloggers: 9/2--Anne Bannon, 9/9 WWK Bloggers, 9/16 Margaret S. Hamilton, 9/23 Kait Carson, and on 9/30 Trixie Stiletto.
“May 16, 2017 – The Women’s Fiction Writers Association (WFWA) today announced the finalists of the second annual Star Award, given to authors of published women’s fiction. Six finalists were chosen in two categories, General and Outstanding Debut. The winners of the Star Award will be announced at the WFWA Retreat in Albuquerque, New Mexico on September 23, 2017.” In the general category, WWK’s Carla Damron was one of three finalist for her novel, The Stone Necklace. Go to Carladamron.com for more information. Congratulations, Carla!
Congratulations to our writers for the following publications:
Warren Bull's new Lincoln mystery, Abraham Lincoln In Court & Campaign has been released. Look for the Kindle version on February 3.
Shari Randall's "Pets" will be included in Chesapeake Crimes: Fur, Feathers, and Felonies anthology, which will be published in 2018. In the same anthology "Rasputin," KM Rockwood's short story, will also be published. Her short story "Goldie" will be published in the Busted anthology, which will be released by Level Best Books on April 25th.
In addition, our prolific KM will have the following shorts published as well: "Sight Unseen" in Fish Out of Water, Guppie (SinC) anthology, just released, and "Making Tracks" in Passport to Murder, Bouchercon anthology, October 2017.
Margaret S. Hamilton's short story, "Once a Kappa" was published as a finalist in the Southern Writer's Magazine annual short story contest issue. Mysterical-E published her "Double Crust Corpse" in the Fall 2016 issue. "Baby Killer" will appear in the 2017 solar eclipse anthology Day of the Dark to be published this summer prior to the eclipse in August.
Thursday, September 16, 2010
Spaghetti Westerns, okay; fish and chip Westerns, no
My fellow blogger, E.B. Davis, has referred to the location of her novel, the Outer Banks, and has included in her story a local celebrity, Blackbeard. I look forward to reading her published novel and visualizing the setting. I will not be visiting the Outer Banks to find out if Elaine’s portrayal of the area is totally accurate. I don’t care if she’s missed out a one-way street. If a story feels real to me while I’m reading, that is all I ask.
Certain activities in a story are included in the setting. I can understand an avid gun person being annoyed if the way a gun fires or the type of bullet used is incorrect in a story. Annoyed yes, and maybe the irritated reader sends an email to the author so he/she does better research. However to stop reading the story that otherwise works, that isn’t something I’d do.
I’m familiar with hospitals and medical treatments and I’ve seen writers make mistakes with code blues, medical machinery, and drugs. I feel the need to correct these mistakes and do so, in my head. I will continue reading the book if the characters and story hold my attention.
Writers sometimes tell me they are tired of Agatha Christie settings. So am I. I read her books in grade school and was amazed that such a seemingly old-fashioned and lady-like woman could come up with so many crime plots. The society into which she was born no longer exists. Modern British authors write police procedurals, PI’s, amateur sleuths, thrillers, and cozies.
When I was growing up in the UK, I saw many cowboy movies. The whole setting was foreign to me, men on horseback for days, vast plains, and cattle as numerous as the people in Times Square on New Year’s Eve. As a young girl, I was interested in horses so I watched the cowboy movies but I forgot the plots and lonely male characters before I left the cinema.
Recently I watched a TV series on the last cowboys. Instead of horses, the cowboys had trucks and ATV’s. On small farms, the wife helped and the children were training to take over the farm one day. On larger farms, extended families and employees worked together. Calving season corresponded with the snow season and every dead calf meant the cowboy farmer lost money. I was sad to see a young animal born and then freeze to death within the first few hours of life. I cared about these latter day cowboys and their families, and wanted them to succeed. I never did know where the cowboys in Western movies were taking all those cattle.
Sometimes writers are urged to find unusual settings so they stand out from the pack. As many readers, I enjoy learning new things while I’m being entertained. Maybe I have a morbid mind or a little bit of vulture DNA because I especially like learning about autopsies and funeral homes.
Although the web and smart phones have changed the way many of us live, there are areas near my home where people can’t connect with the web and there’s no cell phone reception. My daughter tells me texts always get through but I haven’t yet put that to the test.
A setting is so much more than the accurate depiction of streets and public buildings. An in-depth setting captures the thinking and mood of the time, and the ripple effect of both personal and public events on the local community. Even a thunderstorm is a very different event in a city compared with a rural area. My protagonist, in her early thirties, likes cities but she also longs for the peace and proximity to nature of rural areas. Her story takes place in Boston and Western Massachusetts.