If you are interested in blogging or want to promote your book, please contact E. B. Davis at writerswhokill@gmail.com.













May Interview Schedule:
5/1 Krista Davis
5/8 Darci Hannah
5/15 Julie Hennrickus
5/22 Fishy Business Anthology Authors
5/29 James M. Jackson

Saturday Guest Bloggers: 5/4 Marci Rendon, 5/11 Diane Bator

WWK Satuday Bloggers: 5/18 Gloria Alden, 5/25 Kait Carson

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Congratulations to our writers for the following publications:

Congratulations to Margaret S. Hamilton for being a finalist in the Daphne Du Maurier contest. Margaret competes in the Unpublished/Mainstream mystery/suspense category.

Congratulations to Shari Randall for WINNING the Agatha Award for Best First Novel. Her book, Curses, Boiled Again was published by St. Martin's last year. Read the interview about the book here. Yay, Shari!

Fishy Business anthology authors include KM Rockwood, Debra Goldstein, and James M. Jackson. This volume was edited by Linda Rodriguez.

Please read Margaret S. Hamilton and Debra Goldstein's short stories (don't ask about their modus operandi) in a new anthology, Cooked To Death Vol. IV: Cold Cut Files

Warren Bull's Abraham Lincoln: Seldom Told Stories was released. It is available at: GoRead: https://www.goread.com/book/abraham-lincoln-seldom-told-stories or at Amazon: https://tinyurl.com/ydaklx8p

Grace Topping's mystery, Staging is Murder was released April 30.

KM Rockwood's new short story, "Map to Oblivion," has been included the anthology Shhhh...Murder! edited by Andrew MacRae and published by Darkhouse Books. It was released on Sept. 12.

Warren Bull also has a story in Shhh...Murder! Look for "Elsinore Noir," Warren's short story, in this anthology.

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Tuesday, May 11, 2010

What is Voice?

Pick up a work by Hemingway with the cover and title page removed and in short order you’re likely to know who the author was. Same thing with the late, great Robert B. Parker, or James Lee Burke, or Janet Evanovich.

They each have a distinctive voice. What the heck is this voice stuff anyway?

Let’s look at another artistic endeavor, music, for insight. My partner is classically trained, and often when she and I listen to a piece on NPR that we don’t know we can guess the composer based on chord structure and progression, instrumentation and themes (which Elaine discussed yesterday). In other words, the composer’s style is distinctive.

It’s not just composers. Take popular music. After three measures I’d know Stevie Nicks, or Joan Baez, or Judy Collins, or Roy Orbison or dozens and dozens of others. They each have distinctive voices.

Note that my examples date me. My parents would be referring to Bing Crosby, or Frank Sinatra or Judy Garland. Or maybe they could immediately recognize the different big band sounds from the Dorseys or Benny Goodman. If you are younger than I, you’d be thinking about – well frankly I don’t know who you’d be thinking about because I don’t much listen to recent music, although I do have some favorites like Vienna Teng—another distinctive voice.

A distinctive voice, whether in music or writing, does not develop in a vacuum. It takes nourishment from the life and times of the era in which it grows. Yet the voices we remember took the general theme of the time and made it their own.

I suspect their secret has three components: (1) they did their homework, studying how other people did it and are doing it now; (2) they stayed true to themselves, to their own vision about their craft, and (3) an agent somewhere recognized they were something special. (Otherwise we never would have heard of them.)

In my next piece I’ll talk about how to mold the first two components into developing our own voice. We’ll talk about agents sometime too, I promise.

~ Jim

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