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Our September Author Interviews--9/6 Kathleen Valenti, 9/13 David Burnsworth, 9/20 Jeri Westerson, 9/27 Frances Brody. Please join us in welcoming these authors to WWK.
September Saturday Guest Bloggers: 9/2--Anne Bannon, 9/9 WWK Bloggers, 9/16 Margaret S. Hamilton, 9/23 Kait Carson, and on 9/30 Trixie Stiletto.
“May 16, 2017 – The Women’s Fiction Writers Association (WFWA) today announced the finalists of the second annual Star Award, given to authors of published women’s fiction. Six finalists were chosen in two categories, General and Outstanding Debut. The winners of the Star Award will be announced at the WFWA Retreat in Albuquerque, New Mexico on September 23, 2017.” In the general category, WWK’s Carla Damron was one of three finalist for her novel, The Stone Necklace. Go to Carladamron.com for more information. Congratulations, Carla!
Congratulations to our writers for the following publications:
Warren Bull's new Lincoln mystery, Abraham Lincoln In Court & Campaign has been released. Look for the Kindle version on February 3.
Shari Randall's "Pets" will be included in Chesapeake Crimes: Fur, Feathers, and Felonies anthology, which will be published in 2018. In the same anthology "Rasputin," KM Rockwood's short story, will also be published. Her short story "Goldie" will be published in the Busted anthology, which will be released by Level Best Books on April 25th.
In addition, our prolific KM will have the following shorts published as well: "Sight Unseen" in Fish Out of Water, Guppie (SinC) anthology, just released, and "Making Tracks" in Passport to Murder, Bouchercon anthology, October 2017.
Margaret S. Hamilton's short story, "Once a Kappa" was published as a finalist in the Southern Writer's Magazine annual short story contest issue. Mysterical-E published her "Double Crust Corpse" in the Fall 2016 issue. "Baby Killer" will appear in the 2017 solar eclipse anthology Day of the Dark to be published this summer prior to the eclipse in August.
Tuesday, May 11, 2010
What is Voice?
They each have a distinctive voice. What the heck is this voice stuff anyway?
Let’s look at another artistic endeavor, music, for insight. My partner is classically trained, and often when she and I listen to a piece on NPR that we don’t know we can guess the composer based on chord structure and progression, instrumentation and themes (which Elaine discussed yesterday). In other words, the composer’s style is distinctive.
It’s not just composers. Take popular music. After three measures I’d know Stevie Nicks, or Joan Baez, or Judy Collins, or Roy Orbison or dozens and dozens of others. They each have distinctive voices.
Note that my examples date me. My parents would be referring to Bing Crosby, or Frank Sinatra or Judy Garland. Or maybe they could immediately recognize the different big band sounds from the Dorseys or Benny Goodman. If you are younger than I, you’d be thinking about – well frankly I don’t know who you’d be thinking about because I don’t much listen to recent music, although I do have some favorites like Vienna Teng—another distinctive voice.
A distinctive voice, whether in music or writing, does not develop in a vacuum. It takes nourishment from the life and times of the era in which it grows. Yet the voices we remember took the general theme of the time and made it their own.
I suspect their secret has three components: (1) they did their homework, studying how other people did it and are doing it now; (2) they stayed true to themselves, to their own vision about their craft, and (3) an agent somewhere recognized they were something special. (Otherwise we never would have heard of them.)
In my next piece I’ll talk about how to mold the first two components into developing our own voice. We’ll talk about agents sometime too, I promise.