If you are interested in blogging or want to promote your book, please contact E. B. Davis at writerswhokill@gmail.com

Our October Author Interviews--10/4 Wendy Tyson, 10/11 Marilyn Levinson, 10/18 Earl Javorski, 10/25 Linda Lovely. Please join us in welcoming these authors to WWK.


October Saturday Guest Bloggers: 10/7 Mark Bacon, 10/14 Elaine Orr, 10/21 WWK's Margaret S. Hamilton, 10/28 Kait Carson, and E. B. Davis 10/31 to fill out our fifth Tuesday.


WWK’s Carla Damron was one of three finalist for her novel, The Stone Necklace. Go to Carladamron.com for more information. Congratulations, Carla! Look for Carla's blog this month to find out the winner.

Congratulations to our writers for the following publications:

Warren Bull's new Lincoln mystery, Abraham Lincoln In Court & Campaign has been released. Look for the Kindle version on February 3.

Shari Randall's "Pets" will be included in Chesapeake Crimes: Fur, Feathers, and Felonies anthology, which will be published in 2018. In the same anthology "Rasputin," KM Rockwood's short story, will also be published. Her short story "Goldie" will be published in the Busted anthology, which will be released by Level Best Books on April 25th.

In addition, our prolific KM will have the following shorts published as well: "Sight Unseen" in Fish Out of Water, Guppie (SinC) anthology, just released, and "Making Tracks" in Passport to Murder, Bouchercon anthology, October 2017.

Margaret S. Hamilton's short story, "Baby Killer" will appear in the 2017 solar eclipse anthology Day of the Dark to be published this summer prior to the eclipse in August.

James M. Jackson's 4th book in the Seamus McCree series, Doubtful Relations, is now available. His novella "Low Tide at Tybee" appears February 7 as part of Lowcountry Crimes: Four Novellas, which is available for order.
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Friday, July 7, 2017

A Lesson From the Longest-Running Musical in the World





A Lesson From the Longest-Running Musical in the World

The Fantasticks, has a small cast, few props and simple staging. The premise is equally spare: Two neighboring fathers who want their children to fall in love build a wall between their properties and pretend to feud. Everything follows from that. In spite of the lack of special effects and grand scenes, it is the longest-running musical in history. When it premiered in 1960 Dwight Eisenhower was President; the New York off-Broadway original production closed in 2002. Touring companies and regional theaters have performed it from that point to the present. The Fantasticks celebrated its fifty-fifth anniversary in a revival in an off-Broadway theater. The music is wonderful. The direction and acting don’t get swallowed whole by spectacle. But in addition to that, there is something that resonates with every fiber of our being about trying to communicate and running into obstacles.

Despite words, facial expressions, tone of voice and physical movement, I cannot convey to you exactly what mean when I say, “I love you.” I don’t do any better when I speak of a less emotional topic such as, “The mail hasn’t come yet.” Sometimes I say one thing and mean something else entirely. And you sometimes say nothing at all, but you intend your silence to express your meaning.
So you are there on your side of the wall with your unique history, point of view and desires. I am here on my side of the wall with my completely different history, experiences and expectations. What should we each throw over the wall to the other person? There is a double-your-money-back guarantee that if we throw rocks over we get rocks back. Hurtful language, misdirected anger and insults result in receiving similar missiles in response. Throwing flowers does not have an ironclad guarantee that blossoms will be immediately returned, but if we want daises and daffodils our best bet is to toss sunflowers and begonias. 

Are there other things we can learn from unexpected sources?

5 comments:

Jacqueline Seewald said...

Warren,

I do agree that there is much to learn from artistic work that endures and analyzing the reasons why they do so.

Anonymous said...

I really love this blog. You have made me want to search out this play! Thanks so much.

Jim Jackson said...

I saw the Fantasticks off-Broadway in the early 70s. My favorite character was the wall, and the thing I recall was how such a spare set allowed each member of the audience to fill in individual details from their experience. Such a vast difference from (say) 19th century novels with their overly-long passages of description.

~ Jim

KM Rockwood said...

Opportunities to learn are all around us, if we will open our minds & hearts (and not be too afraid of getting rocks back when we toss flowers.)

I've never seen this play, but I often go to summer stock productions, and I will keep an eye out for it.

Patricia Dusenbury said...

I saw this play when I was in high school, and loved it then. Now I'm a grandmother, and I still love it. The story and the music are a perfect marriage.