9/03 Beach-Read novelist, Mary Hogan (Two Sisters);
9/10 Fast-track Guppy Annette Dashofy (Lost Legacy);
9/17 Florida Coast author, Terrie Farley Moran (Well Read, Then Dead);
9/24 Cozy Confection author, Kathy Aarons (Death Is Like A Box Of Chocolates).
Gloria Alden's latest publication is nonfiction. Boys Will Be Boys: The Joys and Terrors of Raising Boys. Edited by Cher'ley Grogg was recently released and available on Amazon. Gloria wrote three essays and two poems in her chapter included in the book.
Don't miss next month's release of Chesapeake Crimes: Homicidal Holidays on October 7th, in which WWK bloggers Shari Randall ("Disco Donna") and E. B. Davis ("Compromised Circumstances") have short stories.
KM Rockwood's short stories will appear in two anthologies released in October. They are: "The Lure of the Owl" in Swamp Mansion and Other Dark Stories, to be released as a ebook, and "Aunt Olga and the Werewolf" will be included in the third Creatures, Crimes and Creativity anthology release by Intrigue Publishing. at their conference in October.
Monday, August 23, 2010
Classifying Your Novel
Categorizing one’s book is a hard decision, one that can determine if the book will be published. Among mysteries there are subcategories. Is the book contemporary or historical? Hard boiled, noir, police procedural or amateur sleuth? The list is almost endless.
Cross-genre books pose an even more interesting dilemma to authors. Books must be categorized by the author to figure out which agents to query. Some agents only handle romance or mystery or science fiction, etc. Then, the agent further categorizes the book to sell to a publishing house. Some publishers will only deal in certain genres or have created imprints for publishing specific genres. By the time your book goes to a publisher, they will have determined what to categorize your book for the market shelves, which is the ultimate categorization. Those books within a single category have an easier time making it onto the shelves, and yet the market seems to favor those books of cross-genre flavor.
I balk at categorization even though I know it is necessary. When I first started writing FIGHTING SPIRITS, the new working title of my book, I classified it as a paranormal romantic mystery. In a recent class I took, the instructor said that anything with ghosts or demons would be categorized in the horror section. Me, write a horror book? No way!
In the paranormal genre, the current bestsellers focus on vampires and shape-shifters. My book has neither, but I want to call it paranormal because it is more menacing supernatural than horror. There are also the mystery and romance elements distinguishing it further from horror. Although my book is darker than Carolyn Hart’s new ghost series, which is still classified as a mystery even if solved by a ghost, my book’s main character is a human amateur sleuth, so I think of it as primarily a mystery.
One of the criticisms that I received by members of my chapter-by-chapter novel critique group, The Mayhem Gang, is that I focused on humor rather than on horror, which was necessary for the hook. I admit that I need to increase the darkness, the fear aspect, but know where I’m going with this book—to the good and positive. Unfortunately, I’m so against writing a “horror” novel that I sabotaged my hook by not starting with darkness. All will be changed and revealed eventually, but I have to start with darkness to get to the light. So, yes, perhaps I must write a bit of horror. But since, during the course of the book, good prevails, I’m still hesitant to classify it as horror because it is only one aspect.
How do you categorize your books? What characteristics define each category? How is a book categorized when it combines and crosses lines among the various subgenres? Categorizing you book in the wrong genre may kill its chance for publication. Are you afraid of getting cut by an incorrect choice?