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Our September Author Interviews--9/6 Kathleen Valenti, 9/13 David Burnsworth, 9/20 Jeri Westerson, 9/27 Frances Brody. Please join us in welcoming these authors to WWK.
September Saturday Guest Bloggers: 9/2--Anne Bannon, 9/9 WWK Bloggers, 9/16 Margaret S. Hamilton, 9/23 Kait Carson, and on 9/30 Trixie Stiletto.
“May 16, 2017 – The Women’s Fiction Writers Association (WFWA) today announced the finalists of the second annual Star Award, given to authors of published women’s fiction. Six finalists were chosen in two categories, General and Outstanding Debut. The winners of the Star Award will be announced at the WFWA Retreat in Albuquerque, New Mexico on September 23, 2017.” In the general category, WWK’s Carla Damron was one of three finalist for her novel, The Stone Necklace. Go to Carladamron.com for more information. Congratulations, Carla!
Congratulations to our writers for the following publications:
Warren Bull's new Lincoln mystery, Abraham Lincoln In Court & Campaign has been released. Look for the Kindle version on February 3.
Shari Randall's "Pets" will be included in Chesapeake Crimes: Fur, Feathers, and Felonies anthology, which will be published in 2018. In the same anthology "Rasputin," KM Rockwood's short story, will also be published. Her short story "Goldie" will be published in the Busted anthology, which will be released by Level Best Books on April 25th.
In addition, our prolific KM will have the following shorts published as well: "Sight Unseen" in Fish Out of Water, Guppie (SinC) anthology, just released, and "Making Tracks" in Passport to Murder, Bouchercon anthology, October 2017.
Margaret S. Hamilton's short story, "Once a Kappa" was published as a finalist in the Southern Writer's Magazine annual short story contest issue. Mysterical-E published her "Double Crust Corpse" in the Fall 2016 issue. "Baby Killer" will appear in the 2017 solar eclipse anthology Day of the Dark to be published this summer prior to the eclipse in August.
Tuesday, June 26, 2012
When did I cross the line?
I remember the first time I declared myself to be a writer. I needed information from the nearby Meeting of the Society of Friends. The characters I was writing at the time were Quakers, and had been members of that meeting. I called and asked if they there was a local historian. I paused, took a deep breath and said “I am a writer looking for background.” From the time that book came out, I considered myself to be a writer and found it perfectly easy to say.
It was easier to convince the woman on the phone than some of my fellow writers.
When I told a friend, we’ll call her X, that I had been selected to be on a panel at a writer's workshop, she said "they will let anyone onto their panels.” Clearly she didn't consider me to be a real writer.
At the time I wondered what would make me a "real" writer in her eyes.
Yesterday I received an email from Y, a member of my critique group, saying that her story had to be shortened by 1500 words, and X. had told her she should show it to me. X. was sure I would be very helpful.
When did I cross the line from non-writer to writer in X’s estimation? More important, how had I changed her perception of me?
There are several possibilities.
I am persistent. Since the first remark, I have had several more short stories published and I go on writing them. Rejections have not discouraged me.
I have given several presentations at local meeting on writing short stories and taking criticism. My first few presentations were not related directly to the process of writing, but to background, one on the psychology of the victim, perpetrator, rescuer triad, central to most mysteries. One was on how historical characters dress. When I started presenting more writerly topics, I gained a bit of respect.
I have worked on three anthologies, not just submitting stories but compiling the manuscripts working on the submission process and screening submissions.
I attend at least two writers' conferences a year.
I started and maintained a critique group when I couldn’t find on that met my needs. I have been in one critique group or another for over a decade, but being in an all mystery group has upped my credibility a tad.
I learn from criticism. In this particular case, I think this made the biggest difference in the way X perceived me. She offered a way to improve a story she was editing for me. I took the suggestion, agonized over it for a week or so. I finally decided that I couldn't make the change and I would pull the story. That's when the answer came, and with a few words I changed the story from ordinary to exciting.
Do I care what she thinks of me? No. I have received validation from other writers whose opinions I value more. She is an inconsistent and biased yardstick. But it's good to have such a tough critic admit I have arrived.