The season changed quite suddenly. One minute, I enjoyed the summer sun, falling asleep on a warm beach to the sound of the ocean. The next minute the cold rains came, plunging the season into Autumn. My mental confusion at the abrupt change only catalyzed the shivering my body felt. Autumn pounced upon me like a black cat crossing my path—shocking—so many things to do.
But instead of working, the drop in temperatures and the calendar flip to October brought to mind frost on the pumpkin. The change in light illuminated spider webs in the corners of my porch. A black snake sunned itself on the sidewalk by my mailbox, giving me a fright and causing my skin to crawl. All of these events brought to mind Halloween, and my fancy turned to ghosts and goblins and all the spookiness in which we revel during October.
His stories must have been pervasive in American society because in my grandfather’s house, built around the turn of the 20th century, the tiles surrounding his hearth depicted the story of Rip Van Winkle. For me the story blends with my grandfather, who enjoyed an ale or two. I can easily envision him sitting by the fire, roasting chestnuts and telling stories. The tile artisans may have had that scene in mind.
In moderation, some backstory adds to our plot. If we know little about the characters’ history, how are we to provide the reader with authenticity? How can readers enjoy that pivotal moment, when all that comes before are pivotal moments? Irving’s meandering serves a purpose I wish we appreciated. We must remember the physical aspects of storytelling; the pauses, the inflections, the raised eyebrows and hunched shoulders and when a finger to the lips and a whisper invoked a squeal from those listening.
When I think of stories read to others, the classics come to mind, like those who read “’Twas the Night Before Christmas” every year. But I think that there is a reason that we turn to the classics when we read aloud. Unlike today’s stories, they were written for that purpose. We must remember that there is no set of rules in creative writing. It just has to be a great story, and getting there can be an enjoyable meander.
Do you read stories to your children and grandchildren? What are your favorite Halloween stories and why are they your favorites?
WWK Blogger Paula Gail Benson has two short stories running in Kings River Life Magazine this weekend, "Pelican Spring" and "The Mama Factor." Both are Mother's Day short stories. You can read them by going to: http://kingsriverlife.com/category/kings-river-reviewers/terrific-tales/
Linda Rodriguez is a finalist in two categories for the International Latino Book Awards (given out at BEA the end of May)--one for Every Last Secret and one for editing Woven Voices: 3 Generations of Puertorriquena Poets Look at Their American Lives (with Gloria Vando, Anika Paris, and Anita Velez-Mitchell). Congratulations, Linda!
The second SinC Guppy anthology, Fish Nets, has been released by Wildside Press. WWK authors, Gloria Alden, Warren Bull, Kara Cerise and E. B. Davis have short stories in this volume, which can be bought at Wildside Press, the usual retailers and will be available at the Malice Domestic Conference. Look for "the story behind the stories" on May 1 here!
Upcoming Salad Bowl Saturdays include authors Sasscer Hill on 5/18 and Carolyn Mulford on 5/25. If you are interested in being a guest blogger, send a message to Jim Jackson at email@example.com.