If you are interested in blogging or want to promote your book, please contact E. B. Davis at email@example.com
Our October Author Interviews--10/4 Wendy Tyson, 10/11 Marilyn Levinson, 10/18 Earl Javorski, 10/25 Linda Lovely. Please join us in welcoming these authors to WWK.
October Saturday Guest Bloggers: 10/7 Mark Bacon, 10/14 Elaine Orr, 10/21 WWK's Margaret S. Hamilton, 10/28 Kait Carson, and E. B. Davis 10/31 to fill out our fifth Tuesday.
WWK’s Carla Damron was one of three finalist for her novel, The Stone Necklace. Go to Carladamron.com for more information. Congratulations, Carla! Look for Carla's blog this month to find out the winner.
Congratulations to our writers for the following publications:
Warren Bull's new Lincoln mystery, Abraham Lincoln In Court & Campaign has been released. Look for the Kindle version on February 3.
Shari Randall's "Pets" will be included in Chesapeake Crimes: Fur, Feathers, and Felonies anthology, which will be published in 2018. In the same anthology "Rasputin," KM Rockwood's short story, will also be published. Her short story "Goldie" will be published in the Busted anthology, which will be released by Level Best Books on April 25th.
In addition, our prolific KM will have the following shorts published as well: "Sight Unseen" in Fish Out of Water, Guppie (SinC) anthology, just released, and "Making Tracks" in Passport to Murder, Bouchercon anthology, October 2017.
Margaret S. Hamilton's short story, "Baby Killer" will appear in the 2017 solar eclipse anthology Day of the Dark to be published this summer prior to the eclipse in August.
Wednesday, October 5, 2011
Detective Fiction by John Desjarlais
A helpful way to read detective fiction is to be aware of "the rules of the game," as mystery writers call it. The characteristics of detective fiction that began with Edgar Allan Poe developed into a fairly rigid "code" for other writers to follow, and there are several famous such ‘codes’ compiled by different writers and theorists over the decades. Father Knox’s Ten Commandments of Detective Fiction is one; 20 Rules by SS Van Dine is another; Dorothy Sayers and the Detection Club had another list. Here is a compilation:
1. In its basic structure, the detective story must never vary from being absolutely logical.
2. A completely unpardonable sin is the substitution of accident, chance, or coincidence for logical deduction (no supernatural intervention, either).
3. The detective story must always play fair: no evidence can be made known to the reader, which remains unknown to the detective, and vice-versa.
4. All action must proceed from the central theme of the crime and the pursuit of the criminal.
5. No human frailties, like stupidity or a poor memory, can change or prolong the plot in any way.
There are some secondary rules, especially for the traditional puzzle that involves an amateur killer:
1. The crime must be murder.
2. The killer's motive must be strong enough to induce an amateur to commit murder
3. All suspects must be real suspects, the killer must be one of the suspects (don't bring in a new character at the end)
4. The murder must be pre-meditated, or if it is a crime of passion, or unintended, it must be ingeniously covered up.
5. The killer should be an intelligent, competent amateur, the crime elegantly planned which, except for the brilliant detective, would go unsolved.
6. Clues should be clearly presented. All information given to the detective must be given to the reader. This is called "Fair Play."
7. The detective is not superhuman but uses reasoning to fit the clues together .
These are not rules, but nice to have:
1. The detective is fun if unusual, fallible, and has personal problems.
2. Lead characters should grow and change
3. The detective should have a profession that allows him/her to spend time, money, and energy on the crime
4. Don't treat police as idiots
5. Don't make the victim an angel or the killer thoroughly evil.
6. The killer must be an amateur who has not killed before and does not plan to kill again - no serial killers, psychos, random killings (unless it's a police procedural or a ‘thriller’ – the traditional ‘puzzle’ mystery dislikes such matters).
7. The story must be moral in that BAD is punished, GOOD rewarded, and the universe is restored to harmony and balance.
8. In the classic whodunnit, the killer should be near the victim, and use an ordinary means
9. It is desirable for the murder to occur early in the story so the puzzle is whodunnit, not when-will-the-writer-get-down-to-business.
10. It helps if there is a deadline to beat; a "ticking clock."
Clearly, there are exceptions. Obviously, there are different expectations across sub-genres such as the police procedural, the caper or the PI story. And we know full well that real crime isn’t so tidy as all this; there is random violence, gang shootings and crimes of mayhem that are so horrible they can’t really be treated lightly in ‘the mystery’ as an entertainment. So I realize these ‘rules’ are limited. But they assisted me in writing my first two mysteries and I hope you’ll appreciate reading mysteries more having seen ‘the rules’, such as they are.
The reader only has 2 rules:
1. Don't read the end.
2. Don't tell Whodunnit.
On All Souls Day, Selena De La Cruz’s name is entered in her parish church's “Book of the Deceased.” The problem is, she's not dead. And someone thinks she should be. Is it "The Snake," a notorious drug dealer Selena helped to put in prison when she was a Special Agent with the DEA years ago? Or someone far, far more dangerous?