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Check out our March author interviews: 3/7--Karen Cantwell, 3/14--Shawn Reilly, 3/21--Annette Dashofy, and 3/28--WWK Blogger Debra Sennefelder (on her debut novel!). Please join us in welcoming these authors to WWK.
Our March Saturday Guest Blogger Schedule: 3/3-Heather Weidner, 3/10-Holly Chaille, 3/17-Margaret S. Hamilton, 3/24-Kait Carson, 3/31-Charles Saltzberg.
Congratulations to our writers for the following publications:
Tina Whittle's sixth Tai Randolph mystery, Necessary Ends, debuts on April 3, 2018. Look for it here: https://www.amazon.com/Necessary-Ends-Tai-Randolph-Book-ebook/dp/B079MS67CM/ref=sr_1_2?ie=UTF8&qid=1520014972&sr=8-2&keywords=Tina+Whittle
James M. Jackson's Empty Promises, the next in the Seamus McCree mystery series (5th), will be available on April 3, 2018 at: https://www.amazon.com/Empty-Promises-Seamus-McCree-Book-ebook/dp/B078XJRYDG/ref=sr_1_2?ie=UTF8&qid=1520089649&sr=8-2&keywords=James+M.+Jackson&dpID=51kcxPsst-L&preST=_SY445_QL70_&dpSrc=srch
Dark Sister, a poetry collection, is Linda Rodriguez's tenth published book. It's available for sale here: https://mammothpublications.net/writers-m-to-z/rodriguez-linda-dark-sister/
Shari Randall's "Pets" will be included in Chesapeake Crimes: Fur, Feathers, and Felonies anthology, which will be published in 2018. In the same anthology "Rasputin," KM Rockwood's short story, will also be published. Her short story "Goldie" will be published in the Busted anthology, which will be released by Level Best Books on April 25th.
Shari Randall's second Lobster Shack Mystery, Against the Claw, will be available in August, 2018.
In addition, our prolific KM has had the following shorts published as well: "Making Tracks" in Passport to Murder, Bouchercon anthology, October 2017 and "Turkey Underfoot," appears in the anthology The Killer Wore Cranberry: A Fifth Course of Chaos.
Wednesday, March 23, 2011
An Interview with F. M. Meredith
FMM: Dark Oak is just what the publisher calls all the mysteries Oak Tree publishes. It has nothing to do with my title.
FMM: I’ll start with the hook. The RBPD series focuses on the town’s police department, the officers and their families. My intent is to show how what goes on with the job affects the families and what’s happening with the family affects the job. There are a lot of on-going characters who make an appearance in most of the books, but each book tends to focus a bit more on one or two characters. The focus character in Angel Lost is Officer Stacey Wilbur who also acts as the department’s vice officer but can’t concentrate on much except her upcoming marriage to Detective Doug Milligan.
When I wrote the first book in the series, Final Respects, I had the same intent, but didn’t plan on writing a series. The more books I wrote the more I fell in love with the characters and wanted to know what was going to happen to them.
EBD: Why did you title your book Angel Lost?
FMM: I can’t really tell you the reason for the title without giving away two huge plot points—but I will say the title has a double meaning.
EBD: Your setting is almost another character, portrayed vividly. Have you lived in a small coastal California town?
FMM: Yes, we lived for over twenty years in Oxnard back when it was a small town (which it is no longer) and that’s the main reason I created the fictional location of Rocky Bluff that is between Santa Barbara and Ventura—but it isn’t Carpinteria.
EBD: Tell me about your other series, Tempe Crabtree. Who is Tempe Crabtree, and where is the series set?
FMM: Tempe Crabtree is a Native American female resident deputy in a mountain community in the Southern Sierra called Bear Creek. (Bear Creek is similar to the place where I live though I moved it 1000 feet higher in the mountains for better trees and occasional snow.) The Sierra (which means mountain, by the way) is the range which runs down the eastern spine of California. Bear Creek is north and east of Bakersfield and south and east of Fresno in the Central Valley.
EBD: Both series are police procedurals of sorts, but that’s not the only subgenre in which you write. Tell me about the Christian Horror. Is it paranormal?
FMM: I wrote three Christian Horror, which I’d term supernatural rather than paranormal. They are extremely scary but also Christian. Between my series, I wrote a romance with a touch of the supernatural, Lingering Spirit.
EBD: Although Angel Lost is about the Rocky Bluff P.D., there is an element of the paranormal in it. Do all of your books have this element?
FMM: I think this is the first time I’ve had anything you might call paranormal in a RBPD book—but it’s based on something that actually happened in the city of Porterville, which is 17 miles away from my home. There is almost always some kind of Indian mysticism in the Deputy Tempe Crabtree series.
EBD: You have nearly twenty books published. Were they all published by Oak Tree Press? Are your books available in electronic format?
FMM: I think the number is closer to thirty these days. I guess I ought to count them all. I’ve had lots of publishers over the years—a couple of crooks, two that died, one that quit the business, and a couple I chose to leave. Oak Tree Press published the last three in the RBPD series and I’m very happy. Mundania Press publishes the Deputy Tempe Crabtree series. Mundania requires their books to have some sort of supernatural element in them. I’m very happy with them too.
Many of my books are available in electronic format. Final Respects, Fringe Benefits, No Sanctuary, and An Axe to Grind are all RBPD books that are available electronically. Several of the Deputy Tempe Crabtree ones are too, as is Lingering Spirit.
EBD: Your book had few editing errors. How does Oak Tree Press deal with its authors? What is the publishing process like with this publisher?
FMM: You must’ve read the ARC since the regular books are just now leaving the printer—I hope we caught all the errors before it went to press with the cover on it, but I wouldn’t bet on it, since I think there are gremlins who hover over the books and insert errors.
This is my process with Oak Tree. I’m not sure what other authors do. I read every book I write to my writing critique group, which I call my first editor. Next, I rewrite. When I think it’s in the shape I want it, I send it off to a reader who is best at catching consistency errors and typos. Then off it goes to the publisher who goes over it and makes suggestions. It comes back to me as a PDF, which I again go over and send back corrections. It came back to me again for another look-over. Yes, I found more mistakes. Those were fixed and the ARC was printed. We both found more errors in the ARC and hopefully they’ve all been fixed.
I usually buy books at a discount from the publisher since I do a lot of hand selling—book and craft fairs, speaking to writers groups and at libraries and writing conferences. This time I ordered 100, which I should have by the time the blog tour is underway.
EBD: What do you like most about being a writer?
Amazon or obtain an autographed copy through her website.