If you are interested in blogging or want to promote your book, please contact E. B. Davis at writerswhokill@gmail.com

Our May author interviews: Marla Cooper-5/3, Rhys Bowen-5/10, Cindy Brown-5/17, Martha Reed-5/24, Sherry Harris--5/31.

Saturday Guest Bloggers in May--Paty Jager-5/6 and Maren Anderson-5/13. WWK Saturday bloggers write on 5/20--Margaret S. Hamilton and on 5/27--Kait Carson. E. B. Davis blogs this month on 5/30.


“May 16, 2017 – The Women’s Fiction Writers Association (WFWA) today announced the finalists of the second annual Star Award, given to authors of published women’s fiction. Six finalists were chosen in two categories, General and Outstanding Debut. The winners of the Star Award will be announced at the WFWA Retreat in Albuquerque, New Mexico on September 23, 2017.”

In the general category, WWK’s Carla Damron was one of three finalist for her novel, The Stone Necklace. Go to Carladamron.com for more information. Congratulations, Carla!

Congratulations to our writers for the following publications:

Warren Bull's new Lincoln mystery, Abraham Lincoln In Court & Campaign has been released. Look for the Kindle version on February 3.

Shari Randall's "Pets" will be included in Chesapeake Crimes: Fur, Feathers, and Felonies anthology, which will be published in 2018. In the same anthology "Rasputin," KM Rockwood's short story, will also be published. Her short story "Goldie" will be published in the Busted anthology, which will be released by Level Best Books on April 25th.

In addition, our prolific KM will have the following shorts published as well: "Sight Unseen" in Fish Out of Water, Guppie (SinC) anthology, just released, and "Making Tracks" in Passport to Murder, Bouchercon anthology, October 2017.

Margaret S. Hamilton's short story, "Once a Kappa" was published as a finalist in the Southern Writer's Magazine annual short story contest issue. Mysterical-E published her "Double Crust Corpse" in the Fall 2016 issue. "Baby Killer" will appear in the 2017 solar eclipse anthology Day of the Dark to be published this summer prior to the eclipse in August.

Linda Rodriquez has two pending book publications. Plotting the Character-Driven Novel will be released by Scapegoat Press on November 29th. Every Family Doubt, the fourth Skeet Bannion mystery, is scheduled for release on October, 18, 2017. Look for the interview by E. B. Davis here on that date!

James M. Jackson's 4th book in the Seamus McCree series, Doubtful Relations, is now available. His novella "Low Tide at Tybee" appears February 7 as part of Lowcountry Crimes: Four Novellas, which is available for order.

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Wednesday, May 12, 2010

Turning Points

If you've read a book on writing, you're aware there are writers who map out their novels in detail so they know exactly where they're going. Then there are writers who start with a crime, a character, or an image and keep writing until they find out where they're heading and if their destination is worthwhile.

I need characters and a story, preferably one with a crime that calls out for justice. Caught up in the excitement of creating a novel world, I peck away at the keys on my laptop until good wins out over evil, or at least over one of its representatives. The result is often a 90,000 word story with too many detours. Not to worry. Writers have a chance to revise, unlike stand-up comedians. How to revise in an efficient way--that is the problem.

One of the advantages of belonging to the local chapter of Sisters in Crime (there's no discrimination against brothers) is being able to attend workshops free. I attended a workshop given by Hallie Ephron, author of the Edgar-nominated WRITING AND SELLING YOUR MYSTERY NOVEL, and reviewer of mystery novels for the Boston Globe. The advice that was the most helpful for the revision of my WIP was the section on turning points.

At first I focused on plot points. Although these are essential, they didn't pull my story together. It wasn't until I returned home from the workshop that I was able to pull out three turning points, each of them making my story go in a different direction. The fourth and final turning point is the confrontation between the protagonist and the villain but I had that scene more or less clear in my head. It was the other three turning points I needed to focus my revision.

I could foreshadow the next turning point, build towards it, and cut out scenes that didn't contribute to dramatic tension and cause and effect. All the meandering side-stepping dropped away. I chopped off extra scenes without a single regret because I kept working towards the turning points.

I doubt whether I'll ever map out a novel as Hallie Ephron suggests in her book on writing but I will look out for the turning points in my first drafts so my revision zigzags to the climax in style.

Pauline

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